The End of Eddy (Hardcover)
A book shining the light on extreme poverty, violence, and self acceptance, The End of Eddy is a small but heavy read that is so important to current times. It's poetic, unique, and devastating but you will always be rooting for Édouard in this autobiographical novel about growing up in a small French village with a small boy waking up every single day saying "Today I am really gonna be a tough guy." Sadly, an effeminate, and intelligent boy who finds other boys cute will never be allowed to be a tough guy in this poverty stricken village.
-- Josh— From Josh H. Staff Picks
An autobiographical novel about growing up gay in a working-class town in Picardy.
"Every morning in the bathroom I would repeat the same phrase to myself over and over again . . . Today I'm really gonna be a tough guy." Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different--"girlish," intellectually precocious, and attracted to other men.
Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Edouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result--a critical and popular triumph--has made him the most celebrated French writer of his generation.
About the Author
Born Eddy Bellegueule in Hallencourt, France, in 1992, Edouard Louis is a novelist and the editor of a scholarly work on the social scientist Pierre Bourdieu. He is the coauthor, with the philosopher Geoffroy de Lagasnerie, of "Manifesto for an Intellectual and Political Counteroffensive," published in English by the Los Angeles Review of Books.Michael Lucey is a professor of French literature at the University of California, Berkeley. He is the author of Never Say I: Sexuality and the First Person in Colette, Gide, and Proust and The Misfit of the Family: Balzac and the Social Forms of Sexuality, and has translated Returning to Reims by Didier Eribon.