Arts & Entertainments: A Novel (Paperback)
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Christopher Beha delivers a cutting send-up of our cultural obsession with celebrity—a deliciously witty, and ultimately tender, novel about the absurdity of fame and the complexity of love sure to appeal to fans of Maria Semple and Jess Walter.
A sharp-edged satire with heart, Arts & Entertainments is the story of Handsome Eddie Hartley who, at thirty-three, has forgone dreams of an acting career for the reality of life as a drama teacher at a boys’ prep school. But when Eddie and his wife, Susan, discover they cannot have children, it is one disappointment too many.
Weighted down with debt, his wife’s mounting unhappiness, and his own deepening sense of failure, Eddie is confronted with an alluring solution when an old friend-turned-web-impresario suggests Eddie sell a sex tape he made with an ex-girlfriend, now a wildly popular television star. Overcoming his initial moral qualms, Eddie figures that in an era when any publicity is good publicity, the tape won’t cause any harm—a decision that will have disastrous consequences and propel him straight into the glaring spotlight he once thought he craved.
A hilariously biting and incisive take-down of our culture’s monstrous obsession with fame, Arts & Entertainments is also a poignant and humane portrait of a young man’s belated coming-of-age, the complications of love, and the surprising ways in which the most meaningful lives often turn out to be the ones we least expected to lead.
About the Author
Christopher Beha is a deputy editor at Harper's magazine. His essays and reviews have appeared in the New York Times Book Review, the London Review of Books, The Believer, Bookforum, and elsewhere. He is the author of the novel What Happened to Sophie Wilder and the memoir The Whole Five Feet. A New York City native, he lives in Brooklyn with his wife.
“A funny novel about bad fame… [a] fast-moving satire by Christopher Beha about the semi-accidental creation of a contemporary two-bit celebrity: sex tape, social networks, and subsequent media circus.” — —New York Magazine