Told in the second person, this is a moving portrait of complicated motherhood and personhood that looks openly at the choices we make and how they stay with us forever. - Cari, Book Culture Selects letter, Literature in Translation, November 2017— From Winter with Book Culture Selects
Ana's Barbeau-Lavalette never knew her mother's mother. Curious to understand why her grandmother, Suzanne, a sometime painter and poet associated with Les Automatistes, a movement of dissident artists that included Paul- mile Borduas, abandoned her husband and young family, Barbeau-Lavalette hired a private detective to piece together Suzanne's life.
Suzanne, winner of the Prix des libraires du Qu bec and a bestseller in French, is a fictionalized account of Suzanne's life over eighty-five years, from Montreal to New York to Brussels, from lover to lover, through an abortion, alcoholism, Buddhism, and an asylum. It takes readers through the Great Depression, Qu bec's Quiet Revolution, women's liberation, and the American civil rights movement, offering a portrait of a volatile, fascinating woman on the margins of history. And it's a granddaughter's search for a past for herself, for understanding and forgiveness.
'It's about a nameless despair, an unbearable sadness. But it's also a reflection on what it means to be a mother, and an artist. Most of all, it's a magnificent novel.'
- Les M connus
Ana's Barbeau-Lavalette is a Montreal-based author and director. She was named the 2012 Artist for Peace by the social justice organization Les Artistes Pour la Paix.
Rhonda Mullins is a writer and translator living in Montr al. She received the 2015 Governor General's Literary Award for Twenty-One Cardinals, her translation of Jocelyne Saucier's Les h ritiers de la mine.